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	<title>Comments on: Technology Killed The Instrument?</title>
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	<link>http://revivalist.okayplayer.com/2011/03/24/technology-killed-the-instrument/</link>
	<description>The Art of Progressive Music</description>
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		<title>By: Lucas</title>
		<link>http://revivalist.okayplayer.com/2011/03/24/technology-killed-the-instrument/#comment-16949</link>
		<dc:creator>Lucas</dc:creator>
		<pubDate>Thu, 24 Mar 2011 14:48:10 +0000</pubDate>
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		<description><![CDATA[Some interesting points are made, but I fear might be getting lost in the semantics.

A &quot;producer&quot; as a musical term has different meanings depending on the context.  There is the producer in the traditional industry sense, as in George Avakian was a producer for Miles Davis.  Then there is the modern use of the word as a hip-hop or electronic music producer.  In this modern instantiation, producer means musician.  In many cases the producer is responsible for the entire arrangement; how could the producer not be a musician?  Pete Rock, Dilla, etc., are all &quot;producers&quot;, but could anyone say that they aren&#039;t musicians?

The second issue is with &quot;equipment&quot; vs &quot;instrument&quot;.  I don&#039;t think anyone is contending that an instrument is not an instrument because it is electronic or digital in nature.  A drum machine is just an electronic drum, and any drum certainly qualifies as an instrument.  It is a relatively new instrument, but the trap set itself is less than a century old.  Synths are undeniably instruments as used by Worrell and others in the 70s.  Auto-tune?  Used as an artistic tool (e.g. T-pain), how is this any different than the talk box used on &quot;Computer Love&quot; in the 80s?

We talk about a producer making beats on his equipment, but this is a fairly recent expression that appropriated industry terms.  A producer that creates music is a musician.  Compressors, mixing boards, and microphones are equipment; but drum machines, synths, and samplers are musical instruments, even if they are completely digital.]]></description>
		<content:encoded><![CDATA[<p>Some interesting points are made, but I fear might be getting lost in the semantics.</p>
<p>A &#8220;producer&#8221; as a musical term has different meanings depending on the context.  There is the producer in the traditional industry sense, as in George Avakian was a producer for Miles Davis.  Then there is the modern use of the word as a hip-hop or electronic music producer.  In this modern instantiation, producer means musician.  In many cases the producer is responsible for the entire arrangement; how could the producer not be a musician?  Pete Rock, Dilla, etc., are all &#8220;producers&#8221;, but could anyone say that they aren&#8217;t musicians?</p>
<p>The second issue is with &#8220;equipment&#8221; vs &#8220;instrument&#8221;.  I don&#8217;t think anyone is contending that an instrument is not an instrument because it is electronic or digital in nature.  A drum machine is just an electronic drum, and any drum certainly qualifies as an instrument.  It is a relatively new instrument, but the trap set itself is less than a century old.  Synths are undeniably instruments as used by Worrell and others in the 70s.  Auto-tune?  Used as an artistic tool (e.g. T-pain), how is this any different than the talk box used on &#8220;Computer Love&#8221; in the 80s?</p>
<p>We talk about a producer making beats on his equipment, but this is a fairly recent expression that appropriated industry terms.  A producer that creates music is a musician.  Compressors, mixing boards, and microphones are equipment; but drum machines, synths, and samplers are musical instruments, even if they are completely digital.</p>
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