The oft-neglected of the brass instruments, you don’t always here their names, but you have undoubtedly heard the unmistakable deep pop as they emerge from under the rest of the horn section, growling into your ears. From Dixieland to jazz, funk, and even hip-hop trombone players have defined recordings and bands with their swinging glissandos, muted wahs, and distinctive melodic growls. Here to continue our “Evolution of the Instrument” series are the Trombone players.
*After meeting Louis Armstrong in King Oliver’s band, Kid Ory went on to help define Armstrong on numerous records with his distinctive energetic disposition.
*Miff Mole is considered one of the greatest jazz trombonists of all time based on both his style and compositions which have lived on far after he passed.
*Aside from anchoring the Duke Ellington Orchestra, Nanton pioneered the wah-wah technique.
*Juan Tizol joined Joe Nanton in Duke Ellington’s Orchestra, thus allowing Ellington to do more with his trombone section. Tizol defined the use of the valve trombone in popular use. Moreover his compositions such as “Caravan” and “Perdido” still resonate today.
*Glenn Miller was a master of leading bands, composing music, and playing trombone. His work on TV, movies, radio, with record labels, and in the armed forces is remembered as unique to him alone.
*Jack Teagarden found success within the likes of many bands before starting his own. He was a member of Playboy’s All Star Band as well as the recipient of the 1944 Esquire Magazine Gold Award. Aside from his live performances, Teagarden was also a well respected recording artist and singer.
*Besides being an accomplished trombonist technique-wise, Dorsey was one of the great bandleaders of his time.
Dicky Wells (1907-1985)
*Dicky Wells defined a style that was simple both percussively and melodically, yet still so compelling.
*Best known for his work in jazz orchestras during the swing era, Morton set up a position filled by many after him.
*JJ Johnson brought trombonists into bebop to contend with sax and trumpet as a leading force in the genre. He is noted to be the leader of the jazz trombone resurgence after it fell out for a little while.
*Kai Winding is known for his large sound in recordings alongside JJ Johnson, Benny Goodman, and on his own records.
*Frank Rosolino innovated the way he got his sound. He played with partials and positions to gain a unique tonality that many sought to emulate.
*Playing with the best in the game, Frank Lacy made a renowned name for himself. Moreover, as a member of D’Angelo’s touring band, the Soultronics, Lacy represents trombone in a popular music context. His versatility is evident in these two clips.
*Trombone Shorty is a triple threat on the bone, trumpet, and vocals. He is keeping the energy, enthusiasm, and talent alive in the next generation.
As always, this is an incomplete list. Chime in with your favorite trombone innovators or anyone we missed!
Glad to see my man Jack Teagarden getting some love — but I am really surprised that you left out Fred Wesley, one of the driving forces behind the James Brown funk sound!
Also, why Juan Tizol and not Lawrence Brown? Brown was the big trombone star of that group …
Also, you might want to take it one step further back and check out some Arthur Pryor — a serious badass soloist of the Sousa band.
Others to dig: Conrad Herwig, Al Grey, Bennie Green, Albert Mangelsdorff, Urbie Green, Carl Fontana, Barry Rogers, Papo Vazquez, and many, many more …
http://www.youtube.com/watch?v=y2ScNEyjBaA&feature=related
Willie Colon
I’d definitely want to see Phil Ranelin included,
but HOW could you forget to include Curtis Fuller??
Curtis Fuller:
http://www.youtube.com/watch?v=91PyOUfc8Jc
Phil Ranelin:
http://www.youtube.com/watch?v=1RNr0KOdUcc
Definitely Fred Wesley!
http://www.youtube.com/results?search_query=Fred+Wesley&aq=f
I guess it’s hard to get the entire trajectory of the instrument in our modern music, but I’m just glad you focused on it. Trombone is probably my favorite instrument and JJ Johnson’s Proof Positive my favorite trombone album. My like some others mentioned, you can’t leave out Fred Wesley, Curtis Fuller, Benny Powell, Robin Eubanks, Steve Turre and Clark Gayton. Ive had the privilege to work with all of them including JJ and these are some of the greats on the instrument. Hopefully you’ll be covering them in future chapters.
But again, thanks for shining a light on a neglected but tres dope instrument!